The development of the steel frame, which became a crucial aspect of Modern architecture, had its roots in the iron frames that began to make their appearance in the tall office buildings of Chicago in the 1880s. Until that time, almost all buildings of any size including all masonry buildings had depended on their walls to hold them up; the material of the walls both kept the weather out and formed the structure of the buildings. The taller the building was, the thicker the walls had to be at the base to support the vast weight above them . There is a limit to how tall such a building can practically be before the lower floors begin to disappear in the thickness of the walls; the tallest load-bearing masonry office building ever built was Chicago’s Monadnock building in 1893, at seventeen storeys high and with walls six feet thick at the base. But with the development of the steel frame, the walls were no longer required to bear any weight; instead, the building was held up ...
Anti-design was during the period of 1966 and ended after fourteen years, in 1980. This movement was also known as the ‘Radical Design’ movement in the architecture sector. During this period, the movement emphasised on scale distortion and compelling colours. The idea of Anti-design created illusions of functional objects was overturn throughout the object. Also, this movement was against Avant Garde pieces, therefore, the designers started to produce products that were much more functional than the Avant Garde and classified aesthetics the second option. The Anti-design movement was initially created in Italy, Europe. Designers from this movement designed ideas which were not intended to last long unlike the Modernism. Most of the colours used in the designer’s work were mostly black, whites and grey tones in Modernism but the main colours that Anti-design adapted were a variety vibrant tones of colours with decorative materials. Like other design movements, the Ant...